It’s cold in here

Four words many people dread hearing me say. I hate being cold. Hate it. I think it was probably a trait I inherited from my mother. We’re having our HVAC system worked on today and I haven’t been able to turn on the heat. Granted, it’s only 64 in here, but with the wind chill that feels like … I digress.

I’m not certain where my distaste for the cold came from. My mom was never comfortable. She was either too hot or too cold. My dad never complained. About anything. In fact, I’m betting he was in a whole lot of physical pain most of the time, and we just didn’t know. People around town would ask him how he was doing, and he’d always say the same thing, “Poorly, poorly.” He was generally a happy person, so the juxtaposition of his demeanor and his Eeyore-like response always got a smile.

But, after reading his letters about his Jeep accident, I think he was telling the truth.

At any rate, it was the cold in Montana that influenced my move to Oregon. I thought I was moving to a place more temperate, only to show up in Portland during a drought, followed by one of the coldest winters on record.
I think it’s following me. The cold. I think I’m cursed. The cold makes my mind slow down … to like … stupidity. I can’t think straight. I get distracted. I turn irritable. Let’s face it: I suck in the cold.

Today I made excellent headway, though. I knocked out another chapter. Don’t know if it’s any good. I’ll think about that tomorrow. That’s been my M.O.—I write a little every day (today I wrote a lot, because I wrote only a little yesterday … damn that football) and then I edit something different than what I wrote. So tomorrow, I’ll go back to what I wrote today and edit it. That way it has time to age a bit before I hack away.

It’s a humbling experience, memoir. You get a keen understanding of yourself. The guilt comes in waves of introspection. Too late to do anything about that now, I think, and I plow ahead.

I’m making progress, though. I’m moving on.

Excerpt from Smelter City Boy

Those of you that remember my Christmas day post will recognize this as a continuation of a trio of pieces about my dad and his driving

1972 Pontiac Catalina

January, 1975

It was butt-ass cold outside—colder than usual for the time of year. I hated the cold almost as much as I hated the months between Christmas and Valentine’s Day. Sitting on the hassock in front of the big picture window I looked out at the hard, cold snow in our front yard. It was getting close to dinner time. The sun was long gone. I squinted and split the light from the streetlamp into a dozen multi-colored streaks. The hard-packed snow glistened, and little powdery wisps snaked their way down the front walk out to the street.

“Grantsy, call your father. Supper is almost ready and he has to pick up Honey at the groomer before 7:00,” my mom called from the kitchen.

“Mom,” I whined. “I don’t know why you don’t just let me go. I’m old enough to drive myself, you know.” I wasn’t.

“Stop it, honey. Just call your father,” she whined back. “He’s probably in the bar at the Park Café, he had to drop off the payroll today.”

I hated the fact that, somehow, the duty of calling the bar and getting my dad to come home had fallen to me. Early-shift bartenders all over town knew my voice. They’d just hand the phone over to my dad without ceremony; all of them except Gussie Lankeit at the Park Cafe. She would wait, come back to the phone, and lie to me. Dad would usually show up at home a few minutes later.

I sighed, walk across the living room into the kitchen and dialed the Park Café.

“Park bar,” Gussie answered. I could hear the Virginia Slim dangling out the side of her mouth.

“Is Bob Byington there?” I asked.   “Just a minute,” she coughed.

She dropped the receiver hard onto the bar. “Robert!” I heard Gussie yell, “The kid’s on the phone again.”

The most embarrassing part of this whole nightmare was listening to the muffled sound of my father telling Gussie to lie to me. Well, it was actually a tossup between that and the sounds of the ribbing my dad got from the other men at the bar. Maybe Gussie did this to shame me, somehow engaging me in a battle of wills. Either way, it stunk. It stunk out loud.

“Nope. Not here today,” Gussie lied and hung up.

“He’s on his way,” I said to Mom.

“Does he know to pick up the dog?”

“No, Gussie wouldn’t let me talk to him. You know how she is,” I said.

“Well darn it. You’re going to have to go out there and wait for him then. Save him the walk up to the house.”

“Or you could go get the dog,” I said.

“I can’t, honey. My check will bounce,” Mom said.

A moment passed between us. My gaze travelled across the kitchen ceiling before landing on hers. We’d come to this standoff before. I sighed again, turned and walked to the front closet to suit up.

“I can’t wait,” I told her. “I just can’t wait to grow up and get the hell out of this house.”

A few minutes later, as our big blue Catalina skidded around the corner of Tamarack and Ogden, I stood in the street and waved my arms like I worked at an airport.

My father had a problem with acceleration. He was one of those drivers that tended to push the gas pedal to the floor, then coast, then push, then coast. I never asked why he drove like that, but given his conservative nature, I thought he was trying to avoid using the power brakes. A lumbering man in general, his feet were particularly heavy on the gas pedal. His motor control was completely fouled up because of a mysterious WWII Jeep accident, so riding with him was always a thrill and a half—especially when he’d had a few. The Catalina coasted most of the way down the block, then slid to a stop in the middle of the icy street, only a few feet from my knees.

A burst of hot, sticky air hit my face when I slide into the passenger side of the front seat. It smelled like Ballantines and Pall Malls. The windows were mostly defrosted, but my dad didn’t know how to operate the heater, so hot air was being forced at my face, rather than my feet.

“What’s the problem?” he asked.

“We got to go get Honey Yvette at Dorothy Johnson’s house up on Haggin Road,” I said.

“Ah. The Killer get a hair cut?”

Dad called our toy poodle “Killer” because she was fierce to anyone who came to the front door. She barked when someone knocked, but she usually made friends right away. The only people she was absolutely ruthless with were mailmen, but I think that’s just because our mailman hated dogs. Dad had a habit of saying “Kill! Kill!” whenever the front door was open and the screen door was the only thing that separated the mailman from ferocious Honey Yvette.

Dad gunned the engine, and we slid down Ogden Street. The inside of the Catalina was roomy, but I could hear the studs in the snow tires trying hard to catch some traction. The streets were completely frozen and the tires easily spun out.

“I called the Park Café looking for you,” I said.

“Yeah?”

“Gussie said you weren’t there.”

“Of course I was there … earlier. Payroll today.” He hardly looked at me when he spoke. This conversation was no different. He just stared straight ahead. We coasted to the corner of Ogden and Balsam. He gunned the engine, cranked the steering wheel to the right and the car fishtailed onto Balsam Street. The second time, the car lurched toward the highway a block away. I glanced up to make sure we weren’t going to get in an accident if he didn’t get to the brake in time. A light snow began to fall.

I flipped the heat from ‘defrost’ to ‘floor’ and wiggled my toes inside my shoes. I didn’t bother to put my boots on, because I was only going to be running from the house to the car. Even in that short time I’d lost all sensation in my toes.

“I’m going to need a twenty,” I said.

“Holy oh God!” he said. As he reached into his hip pocket for his wallet, his foot slipped onto the gas pedal, causing the car to lurch unintentionally. Caught off guard, I slammed backward into the seat.

“Whoopsy daisy! Sorry about that chief,” he said. He flopped his wallet up onto the dashboard. I whipped off my mittens and pulled out a wad of bills.

My father was tight as a tick with money, but you’d never know it to look at his wallet. All totaled, there was $264 in cash and several checks written to his business. There was also dozens of little slips of paper with miscellaneous facts and figures scrawled on them in pencil—people’s birthdays, social security numbers, lock combinations.   “You’re taking too long with my money,” he said. I quickly peeled a twenty out of the wad. Before I put the money back, I sorted it by value and faced all the heads of the presidents the same way, something no one would do if they wanted to avoid getting caught stealing.

“I think it’s fourteen dollars for the haircut and we usually tip,” I said.

Dad cranked the wheel to the left, floored the gas pedal, and the car made a complete 360, stopping in the middle of Haggin Road.

“Holy shit!” I shouted.

“Good God! It’s really icy up here,” Dad said. I could tell he was out of breath.

He had a point. Haggin Road is at the base of a foothill to Mt. Haggin. When the weather hovers below and above freezing, the runoff stays on the street and freezes. Under about seven inches of rock-solid ice is a well-worn road, constantly in need of repair due to the extreme changes in temperature. Dad goosed the engine and the car turned left 90 degrees.

When we slid to a stop in front of the Johnson house, I was on the high side of the road. Because Haggin Road was tilted at a steep angle, I pushed the heavy car door uphill to open it.

“Ask for a five in change,” Dad said. I pulled myself out of the car and tested my footing. “And be careful out there. It’s slicker than snot!”

He was right about that. I should have worn boots. As I pawed my way along the car, I used everything I could to stay upright, including the passenger door handle, then the right front fender, then the front bumper. The snow fell through the beams of the headlights as I slid, more than walked, to the curb.

My family had Honey longer than I’d been alive. Although she wasn’t my dog, she and I got along better than anyone else in the house. I liked the way Dorothy cut her hair, because Honey didn’t look like a poodle, except for the bows braided into the coat above her ears. Fresh from grooming, you’d never guess Honey was a killer toy poodle. Very much her own dog, Honey pretty much did what she wanted to. She cuddled with me most of the time, and stood by my bed in the morning. I was the one who let her out, fed her dinner and gave her a daily dosage of heart medication.

“Hey there, Dorothy,” I said when she came to the door.

“Get in here,” she said. “Looks like it’s starting to come down a little heavier than before.”

Honey came over and sniffed my shoes. I reached down and patted her head.

“She looks great,” I said to Dorothy. “You look great,” I said to Honey. Both seemed pleased to hear it.

“That’ll be fourteen,” Dorothy said. I gave her the twenty and she looked at me.

“Keep the change,” I said.

“Thank you, honey.”

“You talkin’ to me, or the dog?” I asked. “It’s an old family joke,” I said. Dorothy smiled and held open the door as I scooped up Honey.

“Be careful on your way back to the car now. That damn road is so icy this time of year.”

“I know! We already did a donut at the corner,” I said.

Outside on Dorothy’s porch, I tucked Honey under my arm and pulled a five out of my own wallet. Normally, I’d let Honey walk herself to the car, but it was too cold to put her down.

Climbing up hill on a solid sheet of ice with a dog tucked under your arm and a five dollar bill clenched in your fist isn’t easy. Especially in your school shoes. Dad watched me pick my way back through the snow drifts. At the edge of the street I decided my chances for traction were better if I went around the back of the car.

I steadied myself on the trunk of the Catalina and part pulled, part tip-toed up to the high side. A thick cloud of exhaust hung around the bottom of the car, making it look like the Catalina was floating on a misty, shining lake.   When I shifted the dog and the cash from my right hand to my left, something went terribly wrong. I slipped. I righted myself. I overcorrected. In desperation, I threw Honey up in the air, as my legs slid completely under the car. The last thing I saw before slamming my head on the ice was Honey Yvette’s legs spinning out of control, dog-paddling upwards through the falling snow.

Wham! I was down. As familiar as the feeling was, it’s always a surprise to hit solid ground. A kind of huff escaped from my lungs upon impact.

Honey landed just next to my right ear.

Immediately she started to squeal. Half-crying, half-barking, her toenails clicked and scratched at the ice. I tried to pull myself out from under the car, but the more I struggled the further under I managed to slide.

In my left ear, I heard the sound of the snow tires spinning out of control. He hasn’t taken the car out of gear! I thought, and he must be mistaking the gas for the brake. The treads spun ferociously. For a split second, I thought about Batman. He was always in a similar predicament about 25 minutes into an episode. I thought to myself, but he always gets out alive.

I pounded on the car and hooted, “I’m under the car! I’m under the car! I’m under the fucking car!”

The tires slowed to a normal spin, as the rear of the car slid ever-so-slightly downhill. I saw my father’s feet land on the ice just a few inches from mine.

“Killer? Big G? Where is everybody?” He obviously had no idea what the hell was happening.

“Get back in the car and put it in park!” I yelled.

“Wha … ?”

“I’m under the fucking car. And it’s still in gear!” I reasoned.

“Christ!” The feet disappeared back into the car.

The tires stopped. The engine slowed. Honey started licking my cheeks.

Back in the car, I took a quick assessment of everything that could possibly be wrong with Honey. Aside from a light dusting of snow and a misplaced blue ribbon, everything seemed fine. She didn’t have any tender spots or obvious broken bones. Although I felt bad about tossing her up in the air, I thought she got the better part of the bargain.   My butt hurt. It was the first thing to hit, and it definitely slid the most during the struggle. Other than that, I had cracked my elbow pretty hard. It smarted when I pulled the door closed.

Calm now, the three of us stared out into the snow falling through the headlights. Dad opened his mouth to say something, then closed it. My feet were frozen.

“Here’s your change,” I said. I smoothed the five dollar bill out on the dashboard. After a minute or two, Dad put the car in gear and gunned the engine.

“Coulda killed me,” I said to no one in particular.

Power to the poems

I studied poetry in college. Yup. Me and poems. We’re pretty close. Can’t write one worth writing. Well, that’s not true, I probably could, if I took the time. But I love reading them. I love reading them out loud. I love reading them to my wife. I love reading them to anyone who will listen. Chances are, if they have come from a reputable source (like an actual book of poetry, for example) they have been labored over. And I mean labored. Many of my stories started as ideas for poems. Some of the stories I actually struggled with in the form. And I mean struggled. But the worlds of the stories weren’t perfect enough to be poetry. I kind of understand that now. I didn’t when I was writing poems, though. It’s a hard habit to break, I think … the poetry gig.

Which brings me to my third or fourth poetry seminar when I just kept putting the same poem in front of my classmates. It was a poem about Anaconda. Nothing specific about Anaconda, just images. Things I remembered. Bits and pieces I felt worth noting. I remember one of the lines was “Cruise past restaurants where soup is best on Fridays” you know … stuff like that. The class hated it. The teacher (I won’t name drop, but if you have any inkling of the faculty at the University of Montana in the early eighties, you’ll know the folks. Many have prizes. Many are famous.) told me, “Stop writing this poem. You don’t know enough about it. Put it away.” Then she recommended I commonplace a whole bunch of Phillip Levine.

Of course, I didn’t really put it away. I’ve pulled it out every few years and tweaked things. Added a line break or two. Changed some of the music. Written some of the images into stories. In the actual activity of doing that, I’ve discovered more than I ever could have about that poem. That place. That poet.

So here’s the deal … something another poetry professor taught me, in probably a more poetic way:

Nothing is ever finished.

Why this? Why me? Why now?

I didn’t come up with those title words—they are actually lyrics from an obscure musical version of The Goodbye Girl, written by Neil Simon, David Zippel and Marvin Hamlisch. And now you have another bit of useless information for your next Trivial Pursuit jamboree.

I have to admit, I find myself asking myself those questions as I try to catalog some of these gap-filling stories. I don’t know if there’s a better way of filtering out the things that I’m remembering from the things I’m writing about. But I’m starting to wonder if there is any worthwhile merit to censoring myself.

Up until now (and by that, I mean up until being given this incredible gift of time) I had developed what I’ve come to recognize as a bad habit. I would make sure the entire story was worked out in my head  before I’d even start to write it. I think I was censoring myself into some twisted sense of completion. There’s probably something to be said for that. I mean, why start to write a story when you don’t know how it’s going to end up? Then again, up until now, it has stopped me from writing altogether.

Up until now.

Throwing open the endings of these pieces is a challenge. It flaunts my first rule of the road … DON’T BE BORING. I keep hearing my father in the back of my head. He used to imitate Archie Bunker whenever he was starting to become bored by people. He’d say, “Get to the pirnt, Edith! Get to the pirnt!” With a perfect Sunnyside, Queens, New York accent. Just like Carroll O’Connor. (A favorite son of the University of Montana, by the way … Go Griz! … even more trivia.)

My challenge, (and I truly see it as a challenge, not a problem), is that as I’m banging away, writing about the experiences I had student teaching, or driving my dad to his radiation treatments, or stealing a job from a friend (it’s true, my first job as a dishwasher I completely swiped out from under one of my friends) I keep wondering if these scenes are important enough to include. And I think why am I writing about this?

Why this? Why me? Why now?

I only think about that for a second, though.  Because if there’s one thing I’ve learned, it’s to stop judging the merits of the story and just tell the damn thing.

I’ll worry about the rest tomorrow. It’s the Scarlett O’Hara school of memoir.

Just read a book

Where’s my party?

I admit it. I feel like that sometimes. We give parties for some pretty weird shit. I think every time someone finishes a book they should have a party.

Here’s the thing, the book I just read hasn’t been published yet! And it’s great. It’s a great book. Beautifully written, moving, huge story. LOVED IT. But along with that, there’s something lacking … the book hasn’t been published.

Granted, the book came to me through my ever-expanding group of writing friends. The writer of said book asked me to take a look and tell them they weren’t crazy. Because this whole thing … this book-writing thing … it can be discouraging. Once you get a look behind the curtain, it’s pretty bleak. There’s, you know, a handful of people deciding what’s going to make it into print. It can be disheartening. Much worse than working in the theatre. So much worse. Honest. I know a bit about both worlds.

But here’s the thing about it—I’m new to this, so some of you that are more savvy than I am about it feel free to chime in here—for the life of me, I can’t understand why it has to be so. I know all about valuable criticism. I know all about constructive feedback. Almost every book about acting starts with the same message—don’t do it. It’s hard. It’s unpredictable. It doesn’t pay. No one is ever a star. No one is ever secure. No one is ever what the think they need to be … blah, blah, blah. The good acting books, the ones worth reading, tell you, “Don’t do it … unless it is something you feel you absolutely have to do.

But writing doesn’t/shouldn’t be like that. If it were, there wouldn’t be any books. So I wonder about this book I just read. And the book I’m about to read. The book I’m about to read is written by a relatively young author. Untried, so to speak, but gaining ground. The book I just read is totally new, fresh, and by and large it is a story that needs to be told. Yet I know (or at least I assume) that said book I just read is struggling. That book has met with rejection. Hell, there’s probably a book about the book that could be written. And I truly can’t understand why.

I know, I know. You are all going to tell me about self-publishing, or print on-demand. I haven’t actually dipped my toe into those waters yet. But if/when I do … I’m hoping it can be an optimistic, uplifting, affirming experience.

In the meantime.

Housekeeping

I’m willing to admit, there’s a few things that make me impatient. I’m not going to go into all of them here, but as this is awards season, I’m going to let you in on one. I hate it when actors complain about how hard it is to act. In the words of one of my friends, who gets much more work that I do, “Oh please. You stand around all day and people bring you food. How hard can it be?”

So, by association, I become impatient when writers talk about how hard it is to write. I admit, having time to write is a luxury. And I’m eternally grateful to the company of folks I work with who have sacrificed to give me these seven weeks. But I’ve promised myself to not write blog posts about how hard it is to maintain a blog. In fact, I’ve promised myself to not reference the act of blogging in an actual post (like I’m doing now.)

So, in a way, I’ve broken a promise. To myself. But that’s okay because I can forgive myself. Now, when Bruce Willis starts in about how hard it was to make Die Hard, well … I change the channel. So those of you who are like-minded, may want to browse elsewhere.

The blog, and the site (and the webpage about the book) are a way to build what publishers call a “platform”. To that end, in an effort to get the word out, I’ve posted six days a week (as per Stephen King), and mentioned in my Facebook status every time I’ve written something new.

Many of you have commented here, but most of you have commented on my Facebook updates. (Or hit the ubiquitous “like” button.) I’m ever grateful for your support. Thanks! Keep it up!

Now, about the “subscribe” button many of you have asked about. After several rounds of technical support, it turns out the development platform I chose to create my website doesn’t support putting a subscribe button on this blog page. Which to me is okay. Here’s why: I write a post every day. If you subscribed, that means I’d be bugging you every day. And my number one goal in writing is to NOT BORE ANYONE. Honest. Don’t want to do it. So, at least for the sabbatical, I’m blogging using website developer. Once the posts become less frequent. (I’m imagining once a week when the sabbatical is over. Twice, tops.) I’ll archive these posts and switch to a development platform that allows you all to subscribe.

I promise.

Last bit of news: The plays still exist as plays, they just aren’t in the collection. (I think it’s better that way.) Also, I have a goal of 90,000 words for a rough draft. Today I passed the 60k mark.

I’m going to celebrate by making falafel.

He said, she said

In 1991, when I was finally finishing up college, I read a book called The Five Clocks, by Martin Joos for a linguistics class. It’s out of print, or I’d link you to a copy. It’s actually a very long essay on language styles. Joos starts his essay by using the five clocks at a London train station as an example. They all have slightly different times, but they are all saying the same thing. His theory, and it’s a good one, is that there are five discernible styles of language. The most formal is the words you use when you are writing expository. Formal because it is written, and intended to be read and re-read. So we have to follow a set of accepted rules (called a grammar) that help the reader interpret the writing.

The hard one, the one that is exclusive in its usage (meaning it’s only understood by the speakers) Joos called Intimate style. And I have to tell you, the difference between Intimate and what Joos called Casual style is an absolute beast when I’m trying to capture dialog. So, in the course of revising these plays … these ten little minutes of dialog … I’ve spent a good deal of time just decoding the Intimate and the Casual. I think I’ve got a bead on where the narrative is likely to go, and I know that’s all I need … a vague idea of the plot … but the simple activity of turning the play dialog into the narrative dialog is taxing my use of what I understand Mr. Joos has to say.

Onward.

Into the land of “Um,” and “Huh?” and “Ah-ha!” When you hear it (like when you are hearing a play) it makes perfect sense. But when you are writing it … well … it just looks … awkward. Just one more thing I have to get over, right?

Sore thumbs

Here’s something I know. When you are compiling a bunch of stories you’ve written over the course of ten years, there’s a seemingly endless round of revision. I’ve already decided to scrap the plays and rewrite them as narrative. That was easy. But there’s also passages of interior monologue that I just don’t know what to do with. Here’s a sample. Taken out of context of the collection, this is fine … but inside the book, it’s a sore thumb:

Strange room—nothing familiar. The smells were different than what I remember things smelling before. Back home. When I was back home. Was I back home? Strange person in bed next to me. OK, I think, you just have to get over this sick feeling you get where you don’t know where you are. So I say aloud, “Where am I?”

No answer.

OK. No answer. No light. No smell. Nothing familiar. OK. So I fumble around in the dark for a bit, feeling my way along a wall. Or what I think must be a wall. There must be a door somewhere.

Someone was in the bed next to me. Huh? How do you like that? I was used to sleeping alone. OK. Door handle. Aha! I think. A handle. As if the uniqueness of a door that opened with a handle rather than a knob was still as new as it was when I woke up. Handle. Door. Simple.

So I pull the door open and there it is. The living room I couldn’t remember just a second ago. This is it. I’m in a con—do—min—i—um. Cavalier By The Sea. A condo on the ocean with my family and my cousins. That was Hughie. Was that Hughie? I go back into the room and there he is. Deeply sleeping. OK. Condo. Ocean. Gotta pee.

It’s kind of nice, I think, getting up in the middle of the night all by yourself. Once you get your bearings. Once you know. Really know where you are. And how you got there. And what that strange person was doing in bed with you. Hughie. Cousin Hughie. OK.

So I pee. And there I am at, like four in the morning. Must be four in the morning. Maybe not. I don’t know. I can’t tell time in a place where I don’t know where the clock is. And I hate wearing a watch. Watches are for girls. Well, that’s not exactly true, I guess. Watches on my wrist look like watches a girl would wear. It’s my single physical flaw, as far as I can tell. My wrists. They are so girly. I mean really, really girly. I hate them. OK. Four in the morning. Just peed. Go back to bed with Hughie?

No. I don’t think so. Let’s do something interesting. I mean, here we are by the sea. Let’s do something downright interesting. Make breakfast? No. I don’t think so. OK. I slip back into the room and get dressed. I think about waking Hugh, but I don’t. Instead, I take a long look at the room, close the door and leave the condo. It’s dark, but not really dark. I noticed how it wasn’t really dark, when we pulled into the parking lot the night before. Just before we unpacked and got into fights and had dinner and went to bed. Just before the last thing I remember hearing was the rain. I mean real rain. Biblical rain. Pounding on the roof of the condo. We never get rain storms back home. I mean not legitimate rain storms. Maybe an occasional shower or something. Lightening, thunder, sure. But this was driving rain. Driving. It sure wasn’t raining now. And it wasn’t dark. Not really. It was kinda gray and dark and light at the same time. Must be four in the morning, I think.

Away I go. Trundling down the rickety steps of Cavalier By The Sea to the beach. It occurs to me, like out of nowhere, how what I’m doing isn’t exactly dangerous. I mean, you can’t really get lost on the beach. There’s one way down the beach. There’s the ocean, and there’s the land. Go in the ocean and drown. Go up on the land and it’s pretty easy to get lost, I imagine. But once you’re on the beach, really there’s only up the beach and down the beach.

I like that.

On the beach in the dark at four in the morning. Or what must be four in the morning. Maybe four fifteen.

Anyway. Eighth grade. God. Eighth. Fucking. Grade. This is so going to not go well. I can tell. I tried all summer to not think about it, but here we are, the whole fam damnly at the beach for the last hurrah before I have to go back into that cess pool. School is so stupid. And hard. Well, the school part of school isn’t hard, but the rest of it is so not easy. If I was like Hugh, I’m sure it would be fine. He’s great. He’s great looking. At least, you know, for a boy. And he’s smart and he’s funny and I just bet he has, like, a dozen friends. That is so …  not me. Well, the friends part. And the good looking part. If I wasn’t so fat, I’m sure I’d be OK looking. But I’m not … not fat. In fact, I’m willing to bet I’m the exact opposite of not fat. Let’s face it, OK? I’m fat. Fatty. I’m just fat. But that doesn’t really have anything to do with what I hate about school. I just hate the people. The people are awful. Well, the cool ones aren’t awful. They’re great. But they are pretty awful to me. In fact, if I was cool, I probably wouldn’t be awful to anyone. But I wonder: Do you have to be mean to be cool? Is that what it is? Because I could be mean, I guess. If I wanted to. I’ll have to check on that with Hughie. I’ll ask him, when I get back to the condo, what it’s like to be cool, and if you have to be mean to fat people to be cool. It’s probably different for him, though. In Boise, there’s probably plenty of fat people. In fact, I’ll bet they have their own group that they hang out with. Not me. In Anaconda, I’m like the only fat person. Well, that’s not true, but I’m the only fat person I’d hang out with.

I try not to think about it.

The beach was all full of stuff that had washed up the night before, and I headed past the soft squishy sand to the place where my feet didn’t slip, and my footprints disappear. The fog and the beach and the water and the sky. It was like it was all one color, but not. It was hard to see where the beach ended and the water began. Just like it was hard to see where the water ended and the sky picked up. In fact, I bet I could walk right out into the water and not even know I’m drowning. So, I pay attention to the stuff on the beach. As long as I can see the stuff on the beach I know I’m not in the water, and oddly enough, not in the sky.

The sun was starting to peek over the rim of sea grass that lined the high side of the sand dunes leading down to where I was walking. It was going to be a cloudy day, that’s for sure. Maybe even driving rain. Maybe not. Like I said before, I don’t really know anything about rain. Or the beach. Except it’s absolutely impossible to get lost on it. Even in the dark. At what must be four thirty in the morning.

Who said what?

Good God. I’ve just about had it with anyone who said this a lonely pursuit. It’s not. It’s crowded in here. My parents are back from the dead. My teenage sister is as snarky as ever, and my thoughts are just as messed up as they were in high school.

I just slammed through a couple of scenes where I knew I was right, but I was so totally wrong! I had a conversation with a friend of mine a couple of years ago. Very similar to me, he had lost his parents one right after the other. Only he was in his early 30s, whereas I was in my early 20s. Nevertheless, I had enough distance from the spring of 1987 and summer of 1988 (forever known as the most fucked summer of 1988) that I could offer a little bit of perspective. The conversation doesn’t matter, but the question he asked me does. At the end of the conversation he asked, “So, when does the forgiving start?”

And I worry a little bit about that, you see. That question weighs a little heavier on my mind today. Just when do we forgive each other? I said horrible, hateful things to my parents, (and my poor, dear siblings). I was a total smart ass. There’s no doubt about it. The person I projected with my friends was completely innocent of the crimes I committed against my family. Today, as I dove into the scene I had with my father (when I was completely sure he was going to let me leave Anaconda and start singing in bars … I’m not making this up) I remembered saying some horrible, hateful things. And … it was like he didn’t hear them, or he had nerves of steel, because he was so totally cool about the whole thing.

And I was being a real shit, let me tell you. But in a way he was too. Kinda. Well probably not as big a shit as I remember … but still.

So when does the forgiving start?

I get this sense that I need to let myself off the hook, but I gotta tell you, that’s the hardest part of this whole journey.

Have you seen this woman?

I wrote this 10 years ago. It’s about an encounter I had in Pendleton, while I was working for the Missoula Children’s Theatre in the summer of 1984. I wonder if this woman is still there.

War Bonds

She wanted to know what it was I wanted. I’d never been here before. It was a forgotten place on the main street of the little town I was traveling through. I had to stop here for a week, though, because that was my job. It’s what I did.

I never told this to anyone, but I’m afraid of old people. Especially old people who are obviously trying to look younger than they really are. I don’t get it. I hope, secretly, that I will never get old, when I see someone grasping at straws trying to stay young.

This woman had the most curiously colored hair I had ever seen. I think it was magenta with pink highlights. She was on the other side of the counter from where I sat. I was looking at the plastic-covered menu. The plastic was yellowish-brown with age, and read Club Cigar. This was apparently the name of the lunch counter where I had chosen to eat lunch. I thought it would be interesting.

The Club Cigar was a smoke shop on one side of the room and a lunch counter on the other. The woman was a fixture behind the lunch counter. She had curiously colored hair and was wearing a waitress uniform that appeared to be forty years old. Her black skirt tailored to be slimming, the white blouse top was starched so tight it looked like it would break if it was ironed one more time. The woman appeared to be eighty trying to look forty. Trying to look thirty? Twenty? I couldn’t tell.

I was looking at the menu and the counter beyond the menu. The counter was a different color yellow than the menu. It had been bright yellow linoleum when it was installed, but now it had faded to a pleasant shade. Faint outlines of boomerang shapes remained in the linoleum. It looked like a pattern of linoleum I had seen before—maybe on my mom’s kitchen table.

I always ordered the same thing in a place like this. I remembered my father telling me about traveling food. He had said, “When you are on the road and you are eating in a strange place, always order a grilled cheese sandwich.” His reasoning for this was that it was hard to mess up a grilled cheese sandwich. Without looking up from the menu, I told the ancient woman before me that I wanted a grilled cheese sandwich.

“And what to drink?” She asked.

I looked up, and for a moment my gaze caught hers. She was looking past me to the other side of the room. There was no one behind me. For a moment I thought she might be blind, but she wasn’t. She was looking out the door behind me. Out into the empty street. But then, a second later, she focused her attention on me. She looked at me.

Eye to eye.

“Well … ,” I began to tell her I wanted a Diet Coke, but I couldn’t. She was looking that deeply into my eyes that I couldn’t go on. I felt like a president sitting for a portrait. This ancient woman was looking so hard at me that she at once knew more about me than I wanted her to know. I didn’t flinch. I didn’t blink. I couldn’t say a word.

For a split second I was a teenager and she was on roller skates. I wanted a grilled cheese sandwich and a vanilla coke. I wanted a dime for the jukebox, so I could play my favorite tune. I wanted the courage to ask my girl to give me my class ring back that she had wrapped with yarn and wore around her neck on a shoestring.

A second later I was a soldier and she was a hot dame. I wanted a grilled cheese sandwich and a cup of coffee. I wanted to look in the paper to see what Rommel was doing in Africa. I wanted to ask her if it was all right for me to stay until she closed up and maybe we could make a night of it. I could borrow a car and we could drive out past the stockyards and park.

I was a cowboy, just in town for the Roundup. I wanted her to wait for me to go to the rodeo and win enough money so that she could go away with me. We would travel all over the country bustin’ broncs. She could stay in the motel and make it homey while I went out and won big cash prizes. We’d hit all the big rodeos. Calgary, Dillon, Cheyenne, Billings, Laramie, Denver, Provo, Vegas, Santa Fe, Artesia, Amarillo, Muleshoe, Quanta, Dallas, San Antonio.

I’d be back, and I’d have a ring. I’d ask her to wait for me until I came back. “Don’t change a thing,” I’d tell her, gazing at her uniform and her swooping red hair. “You look just like Rita Heyworth,” I’d say. “I’ll be back,” I’d tell her. “Wait for me.”

“I’ll have a Diet Coke,” I said. She turned away from me and started making my lunch.